Youth Media And Marketing Movers & Shakers

Today we bring you another installment of Youth Media Movers and Shakers. We’ve culled through industry publications looking for the recent executive placements we think you should know about. If you have executive news that you want us to highlight in our next “Movers and Shakers,” email us.

Rich Ross resigns as Chairman of Walt Disney Studios, leaving behind a legacy of “film flops” and questions about the studio’s future. (Via LA Times)

Cecile Frot-Coutaz is named CEO for FremantleMedia; she is currently CEO, FremantleMedia North America. Her appointment was announced simultaneously with the news that current CEO, Tony Cohen, is stepping down from that position to focus on his non-executive work. (Via Hollywood Reporter)

Disney Publishing Worldwide makes two appointments: Darrell DeMakes is named Senior Producer, Digital; he had been Senior Manager at Nokia. Michele Wells has been named Senior Editor, Digital; she had been senior editor at DK Publishing. (Via Mediabistro, reg required)

Tom Ascheim is named to the newly created position of Chief Strategy Officer and EVP/Sesame Learning at Sesame Workshop. Most recently, Ascheim was the CEO of Newsweek, and he previously ran Nickelodeon’s TV group, overseeing Nickelodeon, Nick at Nite, Nick Jr., Noggin (now Nick Jr. channel), Nicktoons and The N (TeenNick). (Via Cynopsis)

Jennifer LaBracio has joined Little, Brown Books for Young Readers as Associate Director of Marketing. She was most recently Senior Marketing Manager at Houghton Mifflin Harcourt Children’s. (Via Publishers Marketplace)

Condé Nast Entertainment announces two hires: Jeremy Steckler becomes EVP of Motion Pictures and Michael Klein becomes EVP of alternative programming. (Via MediaPost)

Jamie Engel has been named VP and Publisher at Scholastic Parent &…


Want to talk to us about the article
or dive into a custom study?

Millennial News Feed

Quote of the Day: “For me being an adult means being entirely independent. I pay my own bills, make all decisions in my life, and feel very in control.”—Male, 20, NY

Gilmore Girls Snapchat filter unlocked big numbers for Netflix. When they took over 200 local cafés to recreate the show’s Luke’s diner and promote the upcoming reboot, Netflix also added Snapcodes to 10,000 coffee cups that gave customers access to a sponsored filter for up to an hour. The filter, which featured a sign from Luke’s and the image of toaster with the show’s premiere date, was viewed 880,000 times and reached more than 500,000 people in one day. Snap to Unlock is a fairly new ad offering from Snapchat that has already been used by Sprite, Burberry, and Cinnabon. (Adweek

REI has tapped into Facebook 360 videos to reach multicultural Millennials. As part of their “Access Outdoors” campaign, the outdoor gear retailer released three two-minute long Facebook 360-degree videos featuring artists in Austin, Chicago and Los Angeles working on art installations. Vix, a publisher whose audience is 65% Hispanic and 12% African-American, was used to share the videos, with the goal that the young residents from the three major cities would see “the outdoors [as] more accessible.” The effort reportedly generated more than 822,000 views on Facebook. (Digiday)

Millennial women have almost closed the alcohol consumption gender gap. According to new analysis: “Men born between 1891 and 1910 were 2.2 times as likely as women to drink alcohol; among people born between 1991 and 2000, that ratio fell to 1.1.” The likeliness of alcohol abuse in young women has also increased from a century ago, and is currently nearly equal to young men. Analysts say the closing of other gender gaps, like education, employment, and status, has given women more opportunities to drink. (The Atlantic

Netflix and Hulu may have some major competition coming their way. LeEco, the "Netflix of China," will launch LeEco Live in America early next year, and will include shows and movies from partners like Showtime and Lionsgate. The brand, which been ‘dominating’ the Chinese market, started as a streaming video service but has grown to also develop tech like TVs, VR headsets, and smartphones. Their new service will be programmed to work seamlessly across these devices, providing a “consistent experience.” (Business Insider

Children’s curiosity is fueling the popularity of nonfiction digital content. Research from Insight Kids’ has revealed that 92% of kids like watching nonfiction entertainment, which can include “tutorials, reality programs, ads/trailers, behind-the-scenes footage, music videos, ‘making of’ content and cast interviews.” Being in control of what they learn is driving their interest, with 62% saying non-fiction content inspire them with ideas on what to learn or do. (Kidscreen)  

Quote of the Day: "I do not want any of the candidates currently in the running to win the election.”—Male, 22, FL

Sign Up Now

Subscribe for premium access to our content, data, and tools.

Already a subscriber? Sign in.

Upgrade Now

Upgrade for full access to the best marketing tools for understanding the next generation.

View our Client Case Studies