The 3 Biggest Marketing Trends Out of SXSW 2017

Millennial research, Millennial insight, Millennial marketing, Gen Z research, Gen Z marketing, Gen Z insight, youth research, youth marketing

Experiencification ruled the festival, but branded experiences come in all shapes and sizes...

The latest SXSW is a wrap, and though big brands are not treating the festival as the free-for-all, big-budget marketing bonanza they have in years past (which many feel is a good thing) the event is still considered to be “the most valuable weekend of the year.” Forbes calls it the “best brain food”—which might be the best way for other brands to view the event. Because marketing at SXSW is targeting a hyper-engaged audience of industry insiders, it’s often a creative-cut-above-the-rest, and can serve as inspiration for others.

Throwing just any event at SXSW is not enough to generate buzz—even for the biggest brands. (Just look at Apple Music’s concert.) Experiences have to be eye-catching, unique, sharable, and over-the-top creative to gain traction beyond the Austin streets and make enough of an impression to be shared. Take Casper, one of the marketing stars of SXSW this year: the brand upped the ante on their 2016 “Napmobile” activation, taking over the hotel with The Standard’s One:Night app and turning it into the ultimate nap destination. Attendees could reserve “Refresh Rooms” complete with Casper’s mattresses, Tesla slippers, milk and cookie snacks, and even a tuck-in and bedtime story from an on-site “mom,” if requested. As evidenced by the buzz the stunt generated, experiencification was once again the fuel of the stand-out campaigns of the festival. But branded experiences come in all shapes and sizes, and this year we saw three major experience/immersion themes emerge from the days of the fest. Here are the biggest marketing trends of SXSW 2017:

Millennial research, Millennial insight, Millennial marketing, Gen Z research, Gen Z marketing, Gen Z insight, youth research, youth marketingESCAPE ROOMS

Escape rooms emerged a few years ago as a unique group experience that Millennials helped turn into a lasting trend,…

 
 

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“It[‘s] only about the music for me, nothing else dictates what I listen to, I either like it or I don't.”—Male, 28, WA

A new app is getting teens’ attention as it rises through the ranks of the new social apps to know, even surpassing Houseparty’s popularity—but the catch is it’s “piggyback[ing]” on Snapchat. Polly allows users to create anonymous surveys that they can send on Snapchat (there's that anonymity allure again), meaning many users may not have actually downloaded the Polly app, so they “could slip away if friends stop posting questions.” For now though, the app amassed 20 million users and 100 million answers last month, proving it’s one to keep an eye on. (TechCrunch)

Designers are taking to social media to “shame” the retailers ripping off their work. When Zoila Darton spotted a Forever 21 shirt eerily similar to the one she helped create to benefit Planned Parenthood, she posted a tweet to let the brand know their copycat didn’t go unnoticed—and quickly gained attention from fashion editors and others. This isn’t the first time pieces have been copied by Forever 21, but designers have a hard time taking legal recourse against the powerful company. Instead, social media posts are often their best bet. (NYTimes)

BeautyCon is continuing to take “Sephora and Coachella and smash it into one thing” to appeal to young consumers. At the latest L.A. event, 20,000 beauty fans came to meet their influencer idols and try out the latest makeup trends, surrounded by empowering slogans and messages—true to the brand’s idea that “beauty can be something beyond a concealer culture.” Of course, brands were there “to win over the new generation”—ChapStick Duo offered cotton candy while Rimmel London’s “slayground” gave attendees a chance to set down their makeup and enjoy a jungle gym and swing set.
(The New Yorker)

It turns out saving money might not be cord cutters’ top reason for switching to streaming. Instead, a recent Magid Associates survey found that “the attractions” of SVOD programming (aka their content) is their top reason for making the move, followed by the overall decline of TV-viewing among 18-24-year-olds. Cable companies are trying to reel The Post-TV Gen back in by offering lower-cost cable bundles (so-called “skinny bundles”), but stepping up their shows might be a better first step to reversing the “accelerating” trend of cutting the cord. (TheStreet)

Pokémon is reaching out to a new generation of trainers with its first app for preschool-aged kids. Pokémon Playhouse follows in the wake of the massively successful augmented reality app, Pokémon Go (which was so popular that we put together an entire infographic on it) but won’t be AR-based. Instead, Playhouse will tap into the collectibles trend by featuring favorite characters like Pikachu for kids to collect by completing activities. There will also be puzzles and more in the app’s “interactive park.” (Kidscreen)

“I'm literally listening to music any time it is socially acceptable.”—Female, 28, MN

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