Spring Breakers and the Gen Y Gender Journey

Today's post comes from General Manager, Jake Katz. 

We've been covering all things Spring Break lately. We interviewed MTV about how they’re turning Spring Break into Spring Fix, and our YAB member, Nathan, a Bahamian native, reported on how this American ritual is expressed in his hometown. Today we'll cover Spring Break in all it's glory with a review of the highly anticipated film, Spring Breakers, reminding you that what you think Spring Break is, isn't what you should expect from this film. 

 

Spring Break Y’all!

James Franco Spring BreakersBetween the Spring Break beach bikini clichés, Skrillex’s music, and the hilarity of Franco with cornrows, I don’t think we were quite sure what to make of Harmony Korine’s recent exploration of youth culture that is Spring Breakers. It piqued my curiosity enough to watch the trailer multiple times, pass around the link to friends, and then see it. If you haven’t, holy crap, go see it. It was amazing, and not in a cool ironic-because-it’s-so-ridiculous way. Spring Breakers is actually a 92-minute analysis of shifting gender roles and a captured moment in Millennial evolution. 

Without giving too much away, the joke is on us. The trailer is a bait and switch for anyone that went to see Spring Breakers for one-dimensional female eye candy. It’s entirely the opposite. Frankly, I think that was over people’s heads and the result has been a soft response. Rotten Tomatoes gave it a 68%. While a ridiculous reel of former Disney stars partying may have gotten America in to theatres, one must contrast Spring Breakers with Korine’s previous film, Kids circa 1995. Side by side, the two are a crystal clear comparison between Generation X and Y.

Spring Breakers is so neon drenched it's nearly a digital music video, and it's no coincidence its characters are college…

 
 
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Millennial News Feed

Quote of the Day: “This year for Halloween I’m going to watch cooking theme shows like Halloween Wars.” –Female, 15, TX 

Millennials are clearly disenchanted with politics. When a recent poll asked who they blame the “political gridlock” in Washington on, 56% of 18-29-year-olds said “all of them.” These young consumers are also more likely to volunteer than to vote in the midterm elections. Interestingly, of the small percentage who say they definitely will vote, 51% said they would vote Republican, versus 47% who said they would vote Democrat. (The Atlantic)

It seems that more kids than ever have allergies these days, and for these ingredient-sensitive children, trick-or-treating can be less fun. (Imagine handing over the majority of your candy at the end of the night? No thanks.) This year, The Teal Pumpkin Project is campaigning to raise awareness about these allergies: houses displaying a teal pumpkin signal to trick-or-treaters that nonfood treats are being handed out. Since launching on Facebook earlier this month, the campaign has “reached more than 5.5 million people and been shared 55,000 times,” and over 2,000 pictures on Instagram have been tagged #TealPumpkinProject. (Inc.)

R.L. Stine’s scary Goosebumps and Fear Street series delighted and terrified tons of ‘90s kids, and the author has given these nostalgic consumers a Halloween treat. For the third year in a row, Stine has written an entirely new horror story on Twitter in a series of 15 tweets. The story, “What’s In My Sandwich,” has spread far beyond his 134,000 followers, and is being reposted around the web. (JezebelBuzzfeed)

Marketing on visual social platforms—Snapshot Marketing— has very quickly become an essential way to reach young consumers, and now it’s being put in motion: as of today, Instagram video ads are live. Disney, Activision, Banana Republic, the CW, and Lancome are the first brands to purchase these 15-second auto-display spots on the network. Disney and Activision are both featuring clips from recent entertainment, while Banana Republic has utilized Hyperlapse to create a clip animating fashion sketches. Meanwhile, Snapchat sold its first video ad to Universal this month for the movie Ouija, which went on to win at the box office thanks to teens. (Adweek)

Since launching in 2011, Hello Giggles has not only earned 12 million unique views a month and a very healthy social following, it has also become "an incubator for young talent.” The site emphasizes positivity and girl power, and has built a community of over 600 young female writers, journalists, and creatives who both submit work to the site and support it on Instagram and Twitter. Giggles serves as somewhat as a resume for these women, many of whom have not yet entered the workforce. (Fast Company)

We don’t just deliver data. Along with our bi-weekly survey result data files, we provide our Gold subscribers with a topline report that synthesizes hand-picked, illuminating data points and our insights and expertise. Interesting differences between males and females, older and younger Millennials, ethnicities, and more are highlighted, and relevant statistics are streamlined into an easily consumed, concise, visual takeaway. (Ypulse)

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