Today's post comes from General Manager, Jake Katz.
We've been covering all things Spring Break lately. We interviewed MTV about how they’re turning Spring Break into Spring Fix, and our YAB member, Nathan, a Bahamian native, reported on how this American ritual is expressed in his hometown. Today we'll cover Spring Break in all it's glory with a review of the highly anticipated film, Spring Breakers, reminding you that what you think Spring Break is, isn't what you should expect from this film.
Spring Break Y’all!
Between the Spring Break beach bikini clichés, Skrillex’s music, and the hilarity of Franco with cornrows, I don’t think we were quite sure what to make of Harmony Korine’s recent exploration of youth culture that is Spring Breakers. It piqued my curiosity enough to watch the trailer multiple times, pass around the link to friends, and then see it. If you haven’t, holy crap, go see it. It was amazing, and not in a cool ironic-because-it’s-so-ridiculous way. Spring Breakers is actually a 92-minute analysis of shifting gender roles and a captured moment in Millennial evolution.
Without giving too much away, the joke is on us. The trailer is a bait and switch for anyone that went to see Spring Breakers for one-dimensional female eye candy. It’s entirely the opposite. Frankly, I think that was over people’s heads and the result has been a soft response. Rotten Tomatoes gave it a 68%. While a ridiculous reel of former Disney stars partying may have gotten America in to theatres, one must contrast Spring Breakers with Korine’s previous film, Kids circa 1995. Side by side, the two are a crystal clear comparison between Generation X and Y.
Spring Breakers is so neon drenched it's nearly a digital music video, and it's no coincidence its characters are college…